{"id":18,"date":"2020-06-21T15:15:57","date_gmt":"2020-06-21T20:15:57","guid":{"rendered":"https:\/\/vistprojects.com\/en\/?p=18"},"modified":"2021-05-18T21:39:14","modified_gmt":"2021-05-19T02:39:14","slug":"mexico-luciernagas-para-iluminar-una-historia-de-violencia","status":"publish","type":"post","link":"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/","title":{"rendered":"Mexico: Fireflies to Illuminate a History of Violence"},"content":{"rendered":"<div class=\"fila \">\n<div class=\"cnt_detalle_nota cnt_nota_texto\">\n<p>Where there is darkness there is also light. Yael Mart\u00ednez, a Mexican photographer from Guerrero, knows it well: in 2013 three members of his family disappeared in Mexico and because of that loss he began to document how violence permeated his family life, his everyday life.<\/p>\n<p>Later, he contacted other families in the state of Guerrero: he wanted to record how living surrounded by violence transforms both the spirit and the everyday landscape, how it pierces everything until it is transformed into something else.&nbsp;<\/p>\n<\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-002.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-002.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-002-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-002-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-002-768x512.jpg 768w\" \/><\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_nota cnt_nota_texto\">\n<p>What happened to his brothers-in-law prompted him to turn his work towards issues related to violence and the forced disappearance at the hands of organized crime and the deterioration of the State in Mexico. &#8220;I was interested in showing that unseen aspect, the daily life of the families that go through this,&#8221; he says now.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-003.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-003.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-003-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-003-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-003-768x512.jpg 768w\" \/><\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_nota cnt_nota_texto\">\n<p>For him it was a double path that has been going on for seven years now: a process of family catharsis and of empathy with other families. &#8220;In this double path, I tried to understand how violence is lived on a daily basis, how violence permeates, and almost changes, the physical and spiritual space of the people who live in those places.&#8221;<\/p>\n<p>But how can he portray that transformation? How can he show what is not visible? Yael wanted to reveal another possible image in an image, transform the photo into a three-dimensional artifact. Thus he came to the idea of drilling: with needles of different sizes, he intervened the images to fill with light those intimate scenes that he had photographed for several years.&nbsp;<\/p>\n<\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-004.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-004.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-004-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-004-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-004-768x512.jpg 768w\" \/><\/div>\n<\/div>\n<div class=\"fila pt_separa_img\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-005.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-005.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-005-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-005-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-005-768x512.jpg 768w\" \/><\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_nota cnt_nota_texto\">\n<p>The result is hundreds of white dots that shine like fireflies on the photos of those daily lives crossed by violence, pain and hope. The project Yael created for the exhibition &#8220;Nos queda la noche&#8221; is called <i>Luci\u00e9rnaga<\/i> (Firefly). In this exhibition twelve young regional artists portrayed Latin America through its landscapes and nocturnal creatures.<\/p>\n<p>\u201cPiercing the photo is a symbolic act, of going through the body of memory, so to speak, which is where the image is printed. Making the cut reflects that violence that penetrates you as a human \u201d, he explains.&nbsp;<\/p>\n<\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-006.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-006.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-006-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-006-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-006-768x512.jpg 768w\" \/><\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_nota cnt_nota_texto\">\n<p><i>Luci\u00e9rnaga<\/i>&nbsp;meant for him the possibility of error. And that \u2013the freedom to do something without knowing if it will work out or not\u2013 was a transformative experience for himself.<\/p>\n<p>&#8220;Intervening the photos opened up the possibility of attending to and treating the image in a different way than usual,&#8221; he says. &#8220;Intervening the photo is like pressing the shutter again.&#8221;<\/p>\n<p>At each piercing, Yael seeks to unravel a story that is not visible.  And where the needle enters, the light also enters.&nbsp;<\/p>\n<\/div>\n<\/div>\n<div class=\"fila pt_separa\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-007.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-007.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-007-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-007-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-007-768x512.jpg 768w\" \/><\/div>\n<\/div>\n<div class=\"fila pt_separa_img\">\n<div class=\"cnt_detalle_img\"><img width=\"1200\" height=\"800\" src=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-008.jpg\" class=\"attachment-Large size-Large\" alt=\"\" srcset=\"https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-008.jpg 1200w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-008-300x200.jpg 300w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-008-1024x683.jpg 1024w, https:\/\/vistprojects.com\/en\/wp-content\/uploads\/2020\/06\/Yael-Marti\u0301nez-008-768x512.jpg 768w\" \/><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Where there is darkness there is also light. Yael Mart\u00ednez, a Mexican photographer from Guerrero, knows it well: in 2013 three members of his family disappeared in Mexico and because of that loss he began to document how violence permeated his family life, his everyday life. Later, he contacted other families in the state of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[278,5],"tags":[20,18,19],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mexico: Fireflies to Illuminate a History of Violence - Vist Projects<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mexico: Fireflies to Illuminate a History of Violence - Vist Projects\" \/>\n<meta property=\"og:description\" content=\"Where there is darkness there is also light. Yael Mart\u00ednez, a Mexican photographer from Guerrero, knows it well: in 2013 three members of his family disappeared in Mexico and because of that loss he began to document how violence permeated his family life, his everyday life. Later, he contacted other families in the state of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/\" \/>\n<meta property=\"og:site_name\" content=\"Vist Projects\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-21T20:15:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-19T02:39:14+00:00\" \/>\n<meta name=\"author\" content=\"Vani\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Vani\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/\",\"url\":\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/\",\"name\":\"Mexico: Fireflies to Illuminate a History of Violence - Vist Projects\",\"isPartOf\":{\"@id\":\"https:\/\/vistprojects.com\/en\/#website\"},\"datePublished\":\"2020-06-21T20:15:57+00:00\",\"dateModified\":\"2021-05-19T02:39:14+00:00\",\"author\":{\"@id\":\"https:\/\/vistprojects.com\/en\/#\/schema\/person\/5fd54a7d8eabaa4e03bd875da4bc2252\"},\"breadcrumb\":{\"@id\":\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/vistprojects.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Mexico: Fireflies to Illuminate a History of Violence\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/vistprojects.com\/en\/#website\",\"url\":\"https:\/\/vistprojects.com\/en\/\",\"name\":\"Vist Projects\",\"description\":\"Laboratorio de contenidos multiplataforma dedicado a la investigaci\u00f3n, el dise\u00f1o y el desarrollo de narrativas visuales contempor\u00e1neas en torno a tem\u00e1ticas sociales y culturales.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/vistprojects.com\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/vistprojects.com\/en\/#\/schema\/person\/5fd54a7d8eabaa4e03bd875da4bc2252\",\"name\":\"Vani\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/vistprojects.com\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/149defbf6f1ef0d9fe35ca2b4f134bed?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/149defbf6f1ef0d9fe35ca2b4f134bed?s=96&d=mm&r=g\",\"caption\":\"Vani\"},\"url\":\"https:\/\/vistprojects.com\/en\/author\/sebastianhacher\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Mexico: Fireflies to Illuminate a History of Violence - Vist Projects","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/vistprojects.com\/en\/mexico-luciernagas-para-iluminar-una-historia-de-violencia\/","og_locale":"en_US","og_type":"article","og_title":"Mexico: Fireflies to Illuminate a History of Violence - Vist Projects","og_description":"Where there is darkness there is also light. 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