{"id":2069,"date":"2022-11-20T14:18:27","date_gmt":"2022-11-20T19:18:27","guid":{"rendered":"https:\/\/vistprojects.com\/en\/?p=2069"},"modified":"2022-11-20T14:18:52","modified_gmt":"2022-11-20T19:18:52","slug":"all-family-albums-are-open-wounds","status":"publish","type":"post","link":"https:\/\/vistprojects.com\/en\/all-family-albums-are-open-wounds\/","title":{"rendered":"All family albums are open wounds"},"content":{"rendered":"

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Rocio Celis is preparing the photobook “Carne para los leones”, where she portrays the abuse and macho violence she experienced in her home. The project combines portraits, texts, testimonies, and intervened photos from her family album to tell a story that many Peruvian women know intimately: that of a society that does very little to defend the life and rights of women.<\/span><\/p>\n

By Alonso Almenara<\/span><\/p>\n

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“Carne para los leones” – the title Rocio Celis chose for her first photobook project – comes from a phrase the Peruvian photographer once heard her grandmother say. She would later learn that this was the expression with which her grandfather welcomed her newborn mother. There is a violence in it that Celis associates with almost all of her childhood memories, and the stories told to her by the women in her family.<\/span><\/p>\n

“As a child, I always saw and experienced physical, psychological, sexual violence, in my home and my environment,” Celis recounts. “I saw what happened to my mom, to my grandmothers. I always heard the stories.”<\/span><\/p>\n

In 2018, she began photographing her maternal grandmother as she told stories that reminded her of her own experiences of abuse. Gradually, she turned the camera around to take self-portraits. At the same time, she captured images of everyday objects in the house where she had grown up. “That house spoke to me. I saw traces that connected with my own experience, with wounds.”<\/span><\/p>\n

Celis recalls that with adulthood, “there came a time when I began to pay more attention to my family context, to the society in which I live, to my female body.” Then, she decided to use photography to “talk about how the men in my family have looked at us. About fear.”<\/span><\/p>\n

“Carne para los leones” combines portraits, texts, testimonies, and intervened photos from Cel\u00eds’ family archive. The work also incorporates materials that map the links between violence in the family and the public sphere: politicians’ speeches about women and scripts of national television programs. “I find that my mother’s testimony or that of my grandfather repeat those same patterns,” Celis observes. “That crossing of discourses seemed very powerful to me because it reminds us that public and domestic space are not separated.”<\/span><\/p>\n

 <\/p>\n

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“I was interested in using photography to talk about the way the men in my family have looked at us. The fear. Some of the images may be suffocating, but I feel that this is the weight of the problem”.<\/strong><\/p>\n

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The Peruvian photographer is preparing this work as part of her activities in the educational platform <\/span>Sub<\/span><\/a> and <\/span>Campo Fotolibros<\/span><\/a>, an institution for which she is a scholarship holder. It is a project that seeks to question, to confront. “Some of the images can be suffocating, but I feel that this is the weight of the problem,” she says. In Peru last year, 147 women were victims of femicide, and 1,435 girls under 14 became mothers due to sexual violence. These figures are in addition to a balance of 12,984 women reported missing in the same period.<\/span><\/p>\n

“The rapist, the aggressor of women (…), is a man who develops in a society with a macho culture, which has given him privileges that make him feel capable and entitled to ‘possess’ women;” comments Hugo \u00d1opo, senior researcher at the Grupo de An\u00e1lisis para el Desarrollo (Analysis Group for Development, GRADE) and co-author, together with Josefina Mir\u00f3 Quesada, of the book Ser mujer en el Per\u00fa (Being a Woman in Peru). “Gender violence has at its base the power differences that culture establishes and that places women at a disadvantage and in a state of vulnerability over their bodies,” the specialist told <\/span>France24<\/span><\/a>.<\/span><\/p>\n

“In Peru, the situation of violence against women is terrifying, but we are as if anesthetized,” Celis observes. “The media communicates the problem in the same way, with figures that do not allow us to visualize the seriousness of what is happening.” For her, photography can be a crucial tool to influence this reality because it connects emotions with memory: “We all have a family photo album, for example.” Upon seeing her work, Celis hopes that viewers will recognize themselves: that they will identify that that family album, in that particular story, contains the history of an entire country.<\/span><\/p>\n

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\n\t\n\t\n\t\n\t<\/svg><\/a>\n\t\n\t\n\t\n\t\n\t<\/svg><\/a>\n\t\n\t\n\t\n\t\t\n\t\t\n\t<\/g>\n\t<\/svg><\/a>Rocio Celis is preparing the photobook “Carne para los leones”, where she portrays the abuse and macho violence she experienced in her home. The project combines portraits, texts, testimonies, and intervened photos from her family album to tell a story that many Peruvian women know intimately: that of a society that does very little to […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"[et_pb_section fb_built=\"1\" custom_padding_last_edited=\"on|tablet\" module_class=\"vst-tm-entrevista\" _builder_version=\"4.15\" _module_preset=\"default\" width=\"100%\" max_width=\"100%\" module_alignment=\"center\" min_height=\"100vh\" custom_margin=\"0px|0px|0px|0px|false|false\" custom_padding=\"100px|0px|100px|0px|true|false\" custom_padding_tablet=\"70px||||false|false\" custom_padding_phone=\"\" collapsed=\"off\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_row use_custom_gutter=\"on\" gutter_width=\"1\" custom_padding_last_edited=\"on|phone\" 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global_colors_info=\"{}\" theme_builder_area=\"post_content\"]\n\nRoc\u00edo Celis prepara el fotolibro \u201cCarne para los leones\u201d, donde retrata los abusos y la violencia machista que vivi\u00f3 en su hogar. El proyecto combina retratos, textos, testimonios y fotos intervenidas de su \u00e1lbum familiar, para contar una historia que muchas peruanas conocen \u00edntimamente: la de una sociedad que hace muy poco por defender la vida y los derechos de las mujeres.<\/span>\n\nPor Alonso Almenara<\/span>\n\n[\/et_pb_text][et_pb_text _builder_version=\"4.15\" _module_preset=\"default\" custom_padding=\"50px||50px||false|false\" locked=\"off\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"]\n\n\u201cCarne para los leones\u201d \u2014el t\u00edtulo que Roc\u00edo Celis escogi\u00f3 para su primer proyecto de fotolibro\u2014 viene de una frase que la fot\u00f3grafa peruana escuch\u00f3 decir alguna vez a su abuela. Luego se enterar\u00eda de que esa fue la expresi\u00f3n con la que su abuelo recibi\u00f3 a su madre, reci\u00e9n nacida. Hay en ella una violencia que Celis asocia a casi todos sus recuerdos de infancia, y a las historias que le contaron las mujeres de su familia. <\/span>\n\n\u201cDe ni\u00f1a siempre vi y experiment\u00e9 violencia f\u00edsica, psicol\u00f3gica, sexual, en mi casa y en mi entorno\", cuenta Celis. \"Vi lo que le suced\u00eda a mi mam\u00e1, a mis abuelas. Siempre escuch\u00e9 las historias\".<\/span>\n\nEn 2018, empez\u00f3 a fotografiar a su abuela materna, mientras \u00e9sta le contaba relatos que le recordaban sus propias vivencias de abuso. Poco a poco, fue volteando la c\u00e1mara para autorretratarse. A la par, captaba im\u00e1genes de objetos cotidianos en la casa en la que hab\u00eda crecido. \u201cEsa casa me hablaba. Ve\u00eda huellas que conectaban con mi propia experiencia, con las heridas\u201d. <\/span>\n\nCelis recuerda que con la adultez \u201clleg\u00f3 un momento en el que empec\u00e9 a prestar m\u00e1s atenci\u00f3n a mi contexto familiar, a la sociedad en la que vivo, a mi cuerpo femenino\u201d. A partir de entonces, decidi\u00f3 usar la fotograf\u00eda para \u201chablar de la mirada que han tenido los hombres de mi familia hacia nosotras. Del miedo\u201d.<\/span>\n\n\u201cCarne para los leones\u201d combina retratos, textos, testimonios y fotos<\/span> intervenidas del archivo de la familia de Cel\u00eds. <\/span>El trabajo incorpora tambi\u00e9n materiales que mapean los lazos entre la violencia que se ejerce en la esfera familiar y la p\u00fablica: discursos de pol\u00edticos en torno a la mujer, guiones de programas de televisi\u00f3n nacional. \u201cEncuentro que el testimonio de mi mam\u00e1 o el de mi abuelo repiten esos mismos patrones\u201d, observa Celis. \u201cEse cruce de discursos me pareci\u00f3 muy potente, porque nos recuerda que el espacio p\u00fablico y el dom\u00e9stico no est\u00e1n realmente separados\u201d.<\/span>\n\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=\"on|phone\" admin_label=\"Img full\" module_class=\"vst-cnt-img-x1\" _builder_version=\"4.15\" _module_preset=\"default\" width=\"100%\" max_width=\"1920px\" custom_margin=\"0px|0px|0px|0px|false|false\" custom_padding=\"0px|0px|0px|0px|false|false\" custom_padding_tablet=\"\" custom_padding_phone=\"\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_column type=\"4_4\" _builder_version=\"4.15\" _module_preset=\"default\" custom_padding=\"0px|0px|0px|0px|false|false\" pac_dcm_carousel_specific_module_num=\"0\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_code admin_label=\"Imagen Esp\" module_class=\"vst-cnt-img\" _builder_version=\"4.9.4\" _module_preset=\"default\"][imagen_nota id=\"15434\"][\/et_pb_code][et_pb_text admin_label=\"Pie de foto\" _builder_version=\"4.15\" _module_preset=\"default\" text_text_color=\"#6e6e6e\" text_font_size=\"13px\" text_letter_spacing=\"0.16px\" text_orientation=\"right\" custom_margin=\"0px|0px|0px|0px|false|false\" custom_padding=\"10px|0px|15px|0px|false|false\" custom_padding_tablet=\"||10px||false|false\" custom_padding_phone=\"|20px|5px||false|false\" custom_padding_last_edited=\"on|desktop\" custom_css_main_element=\"font-weight:400;\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"]\n\nRoc\u00edo Celis\n\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_2,1_2\" use_custom_gutter=\"on\" gutter_width=\"1\" custom_padding_last_edited=\"on|desktop\" admin_label=\"Fila quote\" module_class=\"vst-cnt-img-x2\" _builder_version=\"4.15\" _module_preset=\"default\" width=\"100%\" max_width=\"1920px\" custom_margin=\"0px|0px|0px|0px|false|false\" custom_padding=\"0px|50px|0px|50px|false|false\" custom_padding_tablet=\"|25px||25px|false|false\" custom_padding_phone=\"|20px||20px|false|false\" collapsed=\"off\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_column type=\"1_2\" _builder_version=\"4.15\" _module_preset=\"default\" custom_padding=\"0px|0px|0px|0px|false|false\" pac_dcm_carousel_specific_module_num=\"0\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_text module_class=\"vst-quote\" _builder_version=\"4.15\" _module_preset=\"default\" custom_margin_tablet=\"\" custom_margin_phone=\"\" custom_margin_last_edited=\"on|desktop\" custom_padding=\"||||false|false\" custom_padding_tablet=\"\" custom_padding_phone=\"\" custom_padding_last_edited=\"on|phone\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"]\n\n\u201cMe interes\u00f3 usar la fotograf\u00eda para hablar de la mirada que han tenido los hombres de mi familia hacia nosotras. Del miedo. Algunas de las im\u00e1genes pueden resultar asfixiantes, pero siento que ese es el peso que tiene la problem\u00e1tica\u201d.<\/b>\n\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.15\" _module_preset=\"default\" custom_padding=\"0px|0px|0px|0px|false|false\" pac_dcm_carousel_specific_module_num=\"0\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,3_4\" use_custom_gutter=\"on\" gutter_width=\"1\" custom_padding_last_edited=\"on|phone\" admin_label=\"Fila-regular\" _builder_version=\"4.15\" _module_preset=\"default\" background_color=\"RGBA(0,0,0,0)\" width=\"100%\" max_width=\"1920px\" module_alignment=\"center\" custom_margin=\"0px||0px||false|false\" custom_margin_tablet=\"\" custom_margin_phone=\"\" custom_margin_last_edited=\"on|phone\" custom_padding=\"0px|50px|60px|50px|false|false\" custom_padding_tablet=\"0px|50px|60px|25px|false|false\" custom_padding_phone=\"0px|20px|60px|20px|false|false\" border_radii=\"off||||\" collapsed=\"off\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_column type=\"1_4\" _builder_version=\"4.15\" _module_preset=\"default\" background_enable_color=\"off\" custom_padding=\"0px||0px||false|false\" custom_padding_tablet=\"\" custom_padding_phone=\"\" custom_padding_last_edited=\"on|desktop\" pac_dcm_carousel_specific_module_num=\"0\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][\/et_pb_column][et_pb_column type=\"3_4\" _builder_version=\"4.15\" _module_preset=\"default\" custom_padding=\"0px|11.5vw|0px|10%|false|false\" custom_padding_tablet=\"|0px||0px|false|false\" custom_padding_phone=\"0px||0px||false|false\" custom_padding_last_edited=\"on|desktop\" pac_dcm_carousel_specific_module_num=\"0\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_text module_class=\"vst-p\" _builder_version=\"4.15\" _module_preset=\"default\" custom_padding=\"50px||||false|false\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"]\n\nLa fot\u00f3grafa peruana prepara este trabajo como parte de sus actividades en la plataforma educativa <\/span>Sub<\/span><\/a> y en <\/span>Campo Fotolibros<\/span><\/a>, instituci\u00f3n de la que es becaria. Es un proyecto que busca interpelar, confrontar. \u201cAlgunas de las im\u00e1genes pueden resultar asfixiantes, pero siento que ese es el peso que tiene la problem\u00e1tica\u201d, comenta. En Per\u00fa, el a\u00f1o pasado, 147 mujeres fueron v\u00edctimas de feminicidio, y 1.435 ni\u00f1as menores de 14 a\u00f1os se convirtieron en madres, debido a la violencia sexual. Cifras que se suman a un saldo de 12.984 mujeres reportadas como desaparecidas en el mismo periodo. <\/span>\n\n\u201cEl violador, el agresor de mujeres (...) es un hombre que se desenvuelve en una sociedad con cultura machista, que le ha dado privilegios que lo hacen sentir en capacidad y derecho de \u2018poseer\u2019 a las mujeres\u201d, comenta Hugo \u00d1opo, investigador principal del Grupo de An\u00e1lisis para el Desarrollo (GRADE) y coautor, junto a Josefina Mir\u00f3 Quesada, del libro <\/span>Ser mujer en el Per\u00fa<\/span><\/i>. \u201cLa violencia de g\u00e9nero tiene en su base las diferencias de poder que la propia cultura establece y que coloca a las mujeres en desventaja y en estado de vulnerabilidad sobre sus cuerpos\u201d, declar\u00f3 el especialista a <\/span>France24<\/span><\/a>.<\/span>\n\n\u201cEn Per\u00fa la situaci\u00f3n de violencia contra la mujer es aterradora, pero estamos como anestesiados\u201d, observa Celis. \u201cLos medios siempre comunican la problem\u00e1tica de la misma forma, con cifras que no permiten visualizar la gravedad de lo que ocurre\u201d. Para ella, la fotograf\u00eda puede ser una herramienta clave para incidir en esa realidad, pues conecta con las emociones, con la memoria: \u201cTodos tenemos un \u00e1lbum de fotos familiar, por ejemplo\u201d. Celis espera que, al ver su trabajo, los espectadores se reconozcan a s\u00ed mismos: que identifiquen que en ese \u00e1lbum familiar, en esa historia particular, est\u00e1 contenida la historia de todo un pa\u00eds.<\/span>\n\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,3_4\" use_custom_gutter=\"on\" gutter_width=\"1\" custom_padding_last_edited=\"on|phone\" admin_label=\"Fila-regular 10-90\" _builder_version=\"4.15\" _module_preset=\"default\" background_color=\"RGBA(0,0,0,0)\" width=\"100%\" max_width=\"1920px\" custom_margin=\"0px||0px||false|false\" custom_margin_tablet=\"\" custom_margin_phone=\"\" custom_margin_last_edited=\"on|desktop\" custom_padding=\"0px|50px|0px|50px|false|false\" custom_padding_tablet=\"0px|25px|0px|25px|false|false\" custom_padding_phone=\"0px|20px|0px|20px|false|false\" border_radii=\"off||||\" collapsed=\"off\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_column type=\"1_4\" 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id=\"\"][\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,3_4\" use_custom_gutter=\"on\" gutter_width=\"1\" custom_padding_last_edited=\"on|phone\" admin_label=\"Fila-regular 10-90\" _builder_version=\"4.15\" _module_preset=\"default\" background_color=\"RGBA(0,0,0,0)\" width=\"100%\" max_width=\"1920px\" custom_margin=\"0px||0px||false|false\" custom_margin_tablet=\"\" custom_margin_phone=\"\" custom_margin_last_edited=\"on|desktop\" custom_padding=\"0px|50px|0px|50px|false|false\" custom_padding_tablet=\"0px|25px|0px|25px|false|false\" custom_padding_phone=\"0px|20px|0px|20px|false|false\" border_radii=\"off||||\" collapsed=\"off\" global_colors_info=\"{}\" theme_builder_area=\"post_content\"][et_pb_column type=\"1_4\" _builder_version=\"4.15\" _module_preset=\"default\" background_enable_color=\"off\" custom_padding=\"0px||0px||false|false\" custom_padding_tablet=\"\" custom_padding_phone=\"\" custom_padding_last_edited=\"on|desktop\" 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